I’m very happy to say that you can now hear (and buy!) a second track from my new album. Sister, a feminist groove anthem, features the amazing Corinne Bailey Rae, and Stella and Jenny from Warpaint, and it’s available at all these places.
I’m excited to announce the release on March 2nd of my new solo album. It’s called Record. Produced by Ewan Pearson, it features guest appearances from Corinne Bailey Rae, Shura and Warpaint’s Jenny (bass) and Stella (drums). It’ll be released on Merge Records in North America and Unmade Road/Caroline in the Rest of The World. Hope you love it. You can pre-order here. You can also watch my new video of the first track, Queen.
With the release of my new solo album due to be announced soon, I’ve put together a list of my favourite songs of the year in a Spotify playlist. Exciting, inspiring and moving, they’ve kept me company, got me on my feet and had me singing my heart out. (Photo: Tracey DJing at Cherry Jam in 2004)
Just to let you know we’ve have a re-furb over at ebtg.com. Ben has glammed it up with more music, videos and photos and stuff. Nice news about our catalogue too. Have a look.
On Armistead Maupin in Brighton and dancing till 3am
This week’s column, listening to Armistead Maupin in Brighton, then dancing till 3am, covered in glitter.
Tracey wins Artists’ Artist Award at Artist and Manager Awards 2017
Tracey was honoured with the Artists’ Artist Award last night at Artist and Manager Awards 2017 in a ceremony at the Printworks in London. The award was chosen by the Featured Artists Coalition (FAC) and Music Managers Forum (MMF) and recognises the long-term creative and innovative musical output of an individual or group. Previous winners including Joan Armatrading, Placebo and Massive Attack. She was presented with the award by singer Sandie Shaw and arts editor of the New Statesman, Kate Mossman.
Tracey has been recognised for her work in the Marine Girls and Everything But The Girl, her continuing solo career, her many collaborations with artists including The Style Council, Massive Attack and John Grant, and her work as a writer of two acclaimed memoirs and contemporary journalism for the New Statesman magazine.
‘I am so flattered to be given this award,’ said Tracey. ‘I haven’t won anything since 1984, when City Limits magazine gave me a small garden gnome for being the Best Female Singer. So this is a sharp thrill indeed, and I thank everyone involved.’
I went back with Ben to speak at the Hull City of Culture Festival last month. First time back in a very long time.Read my column about it here.
On a stressful week
Everything is going wrong, it seems – until I’m reminded that not quite everything is. Read my latest column here.
Tracey to be honoured at Artist and Manager Awards
The Featured Artists Coalition (FAC) and Music Managers Forum (MMF) have announced that Tracey Thorn will receive the Artists’ Artist Award at the A&MAs next month. Read more.
I always thought I hated musicals
I hate musicals. Apart from Guys and Dolls, South Pacific, Follies – oh, wait … read more in my latest column.
I’ve been remixed so many times
This week’s column is about collaborating, and being re-mixed, and features Tyler, the Creator, Todd Terry and Jens Lekman.
On holidays and kids
In my latest column I’m on holiday, reading, thinking, and remembering when the kids were tiny.
Tracey and Ben talk songs, books and EBTG as part of Hull 2017
On Friday September 29, Tracey and Ben will be in conversation with poet Simon Armitage about their songs and books and their time in Hull where they formed Everything But The Girl in 1982. The event is part of Hull 2017, a year-long celebration of the city’s culture, and takes place at Jubilee Church at 6pm. Tickets are free. Book here.
England Is Mine: the making of Morrissey, or a portrait of the artist as a young wimp?
I went to see England Is Mine, AKA the Morrissey film. It avoids controversy, but it ends up bland in a way that is probably its downfall. Read my column about it.
On The Ferryman and my son’s new love of drama
I went with my son to see Jez Butterworth’s new play, The Ferryman. He was left shivering – precisely the response you want from a boy newly excited by drama. I can only assume theatre is in his blood, but not from my side of the family. Read my column about it here.
I’m accidentally recording a new album
I started writing songs to block out the news – now I’m accidentally recording an album. Read about it all. And here’s a nice pic of me with producer Ewan Pearson, Stella and Jenny from Warpaint, and Jono from Jagwar Ma.
On seeing Bob Dylan at the London Palladium
Gigs are complicated things. We all want different things from them, at different times. Going to see Bob Dylan the other week made me think about gigs I have loved, and especially about the gigs of my youth, and whether anything can ever match up as you get older. Here’s what I wrote about it.
On judging book prizes
This week’s column on judging book prizes, written before the announcement that the Bailey’s Prize had been won on Wednesday by Naomi Alderman with her amazing piece of feminist sci-fi, The Power. Also, obviously, written before today’s election news; but I’m very happy that the piece ends with a quote from Sylvia Patterson’s book I’m Not With The Band – “THE KIDS ARE STILL ALRIGHT”. I’ve always thought that’s true, and it seems very very true today.
Don’t laugh at me, but I’m trying to learn how to run
This week’s New Statesman column, on how I’ve been trying to learn to run, egged on by Jo Whiley and Madonna.
I’ve never really been on a date
This week’s column – I despair at how quickly couples give up on each other – but then, what do I know about dating?
On Tony Blair and the Brits 1996
As part of their edition marking the twentieth anniversary of Tony Blair’s New Labour landslide victory in 1997, the New Statesman asked me for my musical memories of the era. I wrote this.
Remembering my Dad
This week’s column – remembering my Dad, and how I could still have teenage rows with him at the age of 50.
On loneliness and The xx
My latest column for the New Statesman is about ten days of being alone and then seeing The xx in concert.
This week’s column – I’m back in the studio recording demos of new songs. As usual, they never sound how you imagine.
Just wanted to let you all know that I’ve recorded a duet with Jens Lekman for his album ‘Life Will See You Now’, which is out now. The song is called ‘Hotwire the Ferris Wheel’ and tells a story in which Jens and I have a fantastical night time adventure in a fairground, culminating in me singing to Jens, ‘If you’re gonna write a song about this then please don’t make it a sad song’. It’s not a sad song. It even features Jens going ‘WOO!’ Hear it now.